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Ain't It Cool?: Hollywood's Redheaded Stepchild Speaks Out, by Mark Ebner, Paul Cullum, Harry Knowles
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Harry Knowles, a college drop-out who grew up on films, started the Ain't It Cool Web site from his bedroom in Austin, TX, and in four short years has become one of the most powerful and feared men in show business. With his legion of "spies," Harry has crashed the insider world of Hollywood, uncovering guarded secrets about scripts, casting, production, test screenings, and the release of films, before anyone else. In AIN'T IT COOL, Harry uses his own story as a launching pad for his life-long obsession with films and how they're made-the good, the bad, and the ugly. AIN'T IT COOL is the story of the ultimate movie geek getting a place at Hollywood's most exclusive table. It's for anyone who loves movies and the entertainment industry.
- Sales Rank: #4682101 in Books
- Published on: 2002-03-05
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.13" w x 6.25" l, 1.10 pounds
- Binding: Hardcover
- 336 pages
From Publishers Weekly
The creator of the studio-scooping Web site aintitcoolnews.com delivers a rollicking memoir, a passionate analysis of film industry flaws and an infectious appreciation of "the last bastion of true democracy in America" movies. The child of an alcoholic Texas heiress and a Young-Republican-turned-hippie, Knowles split his childhood between the family compound of his mother's violent relatives and trips to Mexico and Central America, where he and his father would collect native art to resell. After an accident left him bedridden, Knowles launched his Web site, a "Geek Forum" that follows movies from script development to release. His muckraking approach rattles studios, which became clear when Sony served Knowles with a restraining order in 1997 for posting a scoop about the computer animation in Starship Troopers, or when Knowles's early pans of Batman & Robin were widely blamed for the movie's failure. More Winchell- than Ebert-like in approach, Knowles presents himself as a hard-boiled, scrappy underdog working on behalf of the public; largely this works, particularly in his expos‚ of the National Research Group's test marketing of movies. The book is also valuable as a record of the Web's early entrepreneur-driven years, and for its rare insight into Knowles's former employer, Matt Drudge. Film lovers, however, will probably most appreciate Knowles's exuberant, knowledgeable paeans to his celluloid favorites. They include a tribute to 1930s comedy star Lee Tracy, an analysis of how nascent Leo-mania launched Titanic, an explanation of the life lessons of Flashdance and more. (Mar. 5)Forecast: With Knowles's enthusiastic Web following, expect this to surface on some regional and college-oriented bestseller lists and, of course, on every desk in Hollywood.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Adult/High School-Knowles is a movie "geek," which he defines as someone with an "almost hyperactive enthusiasm toward his highly proprietary subject matter." His Web site, "Ain't It Cool," is dedicated to movie news, from the sale of a script to a film's release. Knowles's opinions are pervasive and have frequently brought him into conflict with the Hollywood powers that be. He describes fights with Sony, the National Research Group, Matt Drudge, and others in a light, highly opinionated style, and casts himself as David fighting Goliaths. The narrative is filled with history, trivia, commentary about the ethics of today's journalists, and stories behind the stories. Knowles rounds out his tale with a list of his favorite and least-favorite films, and those he would like to see made. Movie buffs will enjoy this inside look at an outsider who has made a big impact on the film industry.
Jane S. Drabkin, Chinn Park Regional Library, Woodbridge, VA
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Film fanatic Knowles's web site, www. aintitcoolnews.com, gets over two million hits a month, so you know that there's an audience for this account of what's really happening in Hollywood.
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
13 of 22 people found the following review helpful.
Pretty cool first effort
By Richard LeComte
I picked up on the Harry Knowles phenomenon pretty late -- only about the time he started appearing with Roger Ebert. Since then, I've enjoyed reading his reviews both for their soap-opera quality about his life and his unbridled, geeky love of movies. His scatalogical "Battlefield Earth" review made me laugh out loud; his "Toy Story 2" review made me weep a little. He and Web site compatriot Moriarty keep me abreast of many of the films I care about.
So I ordered his book off the Amazon link from his Web site, and I finished it in about three days (this isn't heavy reading). I was troubled by the two co-authors -- why does someone who writes for a living need help? Nevertheless, the book is a reasonable facsimile of his singular writing voice. Essentially, the book is half-memoir, half-rant. The memoir part, especially the chapter about his bizarre, sad mother and grandmother, is fascinating. I just wish there had been more of it. He lets us in to how movies affected him in his childhood, but I wanted more detail. Maybe I wanted too much -- another "Ghost Light," Frank Rich's marvelous exploration of what it is to love theater. I did enjoy, however, the rundown of his Web site "spies," whom he cares a lot about and owes a lot to. His blow-by-blow account of the growth of his Web site is a little sketchy and self-congratulating.
The rest of the book is a jeremiad about the sorry state of Hollywood. The rant is long, windy and not all that original. What's more, his reviews undercut his arguments. In the book, he rails against badly plotted, unoriginal explosion-fests, yet he's liked some of the worst culprits -- "X-Men" for one. He does hit on one big factor -- how many people feel shut out of movies. I go through weeks during the summer when there simply isn't anything for me to see. I remember going to the movies with my parents when I was in elementary school to see big-screen epics that could entertain adults and kids -- "Lawrence of Arabia," "Ben-Hur," the original "Planet of the Apes." Now movies are either gross or dumb or both. Harry Knowles wants better movies, but I'm not sure we want the same better movies. Certainly there must be room for both of us.
So do I recommend the book? Sure, why not. It's fun spending three days inside Harry's head. For his next book, perhaps, I'd like to see him explore movie themes the way he does in the back -- his top 10 and bottom 10 movie lists are absorbing and insightful.
8 of 17 people found the following review helpful.
A love letter to movies and fandom
By Richard R. Barrett
...
I've read Harry Knowles' site just about since day one..., and while I don't always agree with him, I can't accuse him of not knowing what he's talking about or not caring. This guy loves movies, the people who make them, and the process of making them like nobody else, and his book is not only a love letter to the medium, it is as close to a credo as you can get for those of us who have grown up in a post-Star Wars culture and been fascinated by every second of it.
The writing style is passionate, funny, and accessible. What he knows is encyclopedic. The narrative is that of a pioneer, dabbling in a medium that nobody knew or cared much about, and who struck the right chord with the right people at the right time. It's amazing to think of how one guy who started out with a [old computer] and a dial-up connection has managed to get as far as he has without ever getting his lungs handed to him by the big boys.
Good for you, Harry - keep it comin'!
39 of 40 people found the following review helpful.
Disingenuousness confessions of a Movie Geek.
By Fantail Entertainment
I have always found Knowles to be an intriguing personality. Here's a guy who, with little more than a home PC and a handful of industry contacts, is able to successfully maintain a website that attracts hundreds of thousands-if not millions-of viewers every week, with virtually no overhead costs. Companies routinely invest obscene sums of money trying to acquire that kind of viewership. For a while he was a hot item in the press, an overnight folk hero of sorts, heralded as an ordinary guy simply pursuing his passion and attracting the world's attention for it. Thus, I was looking forward to reading this book to find out what Knowles had to say about the intriguing turns his life has taken.
"Ain't it Cool?: Hollywood's Redheaded Stepchild Speaks Out" starts out promisingly enough. The opening chapter explores Knowles' turbulent formative years coming of age in a severely troubled family environment. Raised by hippie parents who peddled vintage movie memorabilia for a living, Knowles' adolescence was thrown into chaos when his mother without warning abandoned her brood to move back in with her own family in rural Texas. Knowles was soon forced to join her there, amidst the company of relatives that, as Knowles describes it, were "the closest I've personally come to consummate evil". His mother eventually succumbed to chronic alcoholism and passed away under tragic circumstances. By then Knowles, now in his late teens, had returned to Austin to live with his father, whom he lovingly describes as his "best friend". Over the next several years Knowles helped his father run his memorabilia business until, one fateful day, an accident he suffered working at a collectors' fair left him immobilized for six months. This was during the mid-90s, when the Internet was just starting to make its way into domestic households. With little previous experience in computers, Knowles was soon expertly scouring the newsgroups and chat rooms, offering his insight and opinions to an attentive audience of fellow film aficionados. He learned to use the Internet as a research tool, digging up rare tidbits of news, gossip and conjecture and repackaging them for newsgroup distribution. Eventually he started his own website dedicated to the pursuit of providing original, breaking news about films in every stage of development and production. And thus, Ain't It Cool News was born.
Up to this point Knowles' tale is heartfelt, honest, and moving. Quickly, however, the book lapses into a self-aggrandizing portrait of the Movie Geek as Internet Revolutionary. He spends 300-plus pages fervently justifying his existence, bragging incessantly about the influential role his website has served to the culture of film fandom and to the film industry itself. He liberally dispenses anecdotes of his experiences rubbing elbows with Hollywood royalty, having us believe that movie directors routinely call him up in the middle of the night asking for career advice. He paints himself as a steadfastly independent-minded, free-thinking "film advocate" whose loyalty cannot be bought, but can be earned by making a good film. The only problem with that latter point is that, if one were to do a little research, this assertion of journalistic integrity is put into serious question. Knowles himself touches briefly upon some of the more disparaging accusations in his book, such as the controversy surrounding his coverage of the "Godzilla" world premiere in Times Square, but he is more defensive than apologetic in tone about his alleged transgressions and never admits to any wrongdoing.
I was also troubled by two chapters in Knowles' book that aggressively attack fellow Internet reporter Matt Drudge, and National Research Group chairman Joseph Farrell, respectively. In the latter case, I can understand Knowles' disillusionment with the film industry's controversial audience test-screening process (which Farrell's company solely administers), but I fail to see how distributing Farrell's private phone number to the press and obsessively analyzing a list of movies that Farrell may or may not like-in an attempt to infer something about his character-is helpful to Knowles' cause. The chapter dealing with Matt Drudge just feels dirty and cheap, as well completely out of place in the book. It is not appropriate for Knowles' to tout his own "Jeffersonian, liberal-humanist agenda" in the form of a critique on Drudge's personal politics, and then try to disguise it as a discussion on journalistic ethics. That in itself seems, to me, unethical.
The final chapter of the book is a call-to-arms for Hollywood to make better pictures, and Knowles offers a number of (highly unrealistic) suggestions on how the industry can alter its existing business model to accommodate his appeal for qualitative change. While I couldn't agree more that Tinseltown has for the most part been putting out an abysmal product for years, I have to question Knowles' own conviction that "movies should be better". Recalling some of his film reviews I had come across in the past, I decided to go to his website and see just how bad he thinks the majority of today's studio-produced pictures are. "Armageddon", "Charlie's Angels", "Rush Hour 2" and "The Mummy Returns" all received glowing reviews. It seems to me like Knowles is perfectly content with the kind of product Hollywood is churning out these days, so it's mystifying that he would purport to want to see broad changes in the way studios make films. Or maybe he just wants to establish some kind of journalistic credibility by offering a pseudo-intellectual analysis on the state of the industry. In any case, there seems to be a bit of disingenuousness on Knowles' part, both pertaining to his questionable journalistic standards and to the apparent contradictory nature of his attitude about the kinds of films Hollywood should be making.
There is no question that Knowles is a knowledgeable and passionate movie enthusiast who has a lot to offer in the way of film appreciation and connoisseurship and, to that end, his website will always serve a purpose. It is perhaps advisable, then, that the next time he decides to write a book, that should be the sole focus of his efforts.
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