Free PDF The Effects of Light, by Miranda Beverly-Whittemore
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The Effects of Light, by Miranda Beverly-Whittemore
Free PDF The Effects of Light, by Miranda Beverly-Whittemore
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DESCRIPTION: This richly evocative, poignant novel about two sisters, whose lives are forever altered by a series of photos, marks the debut of a remarkable talent. Bound by the loss of their mother and encouraged to "follow their bliss" by their brilliant professor father, young Myla and Pru Wolfe blaze a path through childhood, hungry for all life has to offer. Their precocity and ethereal beauty soon make them the favorite subjects of photographer and family friend Ruth Handel, whose celebrated images of children involve nudity. Suddenly the girls are at the center of a firestorm of controversy, with shattering results. Now, 13 years later, Myla Wolfe is living back east and finally edging toward romance, when she begins receiving mysterious communications that force her to confront her past and reclaim her future.
- Sales Rank: #1332022 in Books
- Published on: 2005-02-02
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.13" w x 5.75" l, 1.10 pounds
- Binding: Hardcover
- 368 pages
Amazon.com Review
Miranda Beverly-Whittemore's debut novel, The Effects of Light, is the story of Myla and Prudence (Pru) Wolfe, whose father David must raise them after they lose their mother in a tragic car accident. Helping David rear his daughters are a clan of academics, artists, and intellectuals, including photographer Ruth Handel, whose nude portraits of the girls become the centerpiece around which their lives unravel. Part mystery, part metaphor, part love story, and part philosophical treatise, The Effects of Light is an intriguing, yet perhaps overly ambitious first effort for this young author.
When we first meet Myla, she is Kate Scott, an East Coast academic who has seemingly wiped out all traces of her childhood. After a mysterious letter summons her home to Portland, Oregon, pieces of the tragedy that killed her sister and forced Myla to start her life anew start to surface, and the quest for truth begins. ("She was driving into this place, she was pushing into it, she would bore into it, find what she'd buried, and carry it into day.") Details from the past are told through the voice of Prudence, whose idyllic childhood grows more tumultuous as the photographs gain public attention and their innocence is called into question. Adding drama to the story is Myla's budding romance with colleague Samuel Blake, whose true intentions are called into question on more than one occasion.
Beverly-Whittemore has an obvious gift for describing raw human emotions, and at its best, The Effects of Light is a lyrical exploration of love, joy, forgiveness, and reconcilliation. However, when she launches into lengthy philosophical discussions about art history and the human condition, the novel steers off course. Once she tightens up her game a bit, we can look forward to many more captivating reads from this talented young writer. --Gisele Toueg
From Publishers Weekly
Beverly-Whittemore investigates the relationship between art and life in an engaging but uneven debut that reveals both her promise and her youth (she was born in 1976). As children, Myla Wolfe and her now deceased sister, Pru, posed for a series of provocative photographs. Because of an unnamed (but aggressively insinuated) tragedy, Myla has spent her adult life as a history professor named Kate Scott (though an unconvincing one: "So much passion over something so potentially boring: medieval research!... She felt lost in ideas"). A mysterious letter and a colleague's lecture draw her back to her hometown, where she tries to put together the puzzle of her dead father's academic work, reconnect with those she left behind, rediscover herself as Myla and forge a new love with the aforementioned colleague. Her quest is juxtaposed with the parallel narrative of the tragedy's buildup, as told by her dead sister. Beverly-Whittemore gets points for her ambitious plot, but a naïve intellectual enthusiasm overwhelms the novel, and in trying to incorporate too many heavy themes, she obscures the novel's focus: is this a mystery? an allegory? a graduate student essay? At one point, Myla recalls how her father congratulated her for refusing to learn to read yet, thus demonstrating that "she wasn't ready... to lose the big picture." Beverly-Whittemore doesn't seem ready to lose it, either—but next time, perhaps she'll exert more control over her far-reaching visions.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Thirteen years after she fled the West Coast, Kate Scott is returning to hesitantly pry open painful memories of her sister and her father. A mysterious package from an unknown benefactor shows Kate that someone else knows her turbulent secret history as a child-model for a controversial photographer. Her lover, Samuel, follows Kate and pledges to help her unearth the clues her father has left behind, but when Kate discovers Samuel's notebook with surreptitious jottings about herself and her family's notorious past, she rejects him. Readers will be drawn into the mystery surrounding Kate's sister, her father, and Ruth, the photographer, even wondering who Kate truly is. Told in alternating voices between Kate and her sister, this first novel is drawing prepublication parallels with The Lovely Bones (for the narrative voices of its teen characters), Girl with a Pearl Earring (for its art-world frame) and Possession (for its plot of academics searching ancient documents for contemporary truths. Passionate writing, skillful plotting, and intriguing characters make this a necessary purchase. An excellent selection for a book discussion group. Kaite Mediatore
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
5 of 7 people found the following review helpful.
a new treasure
By LL
I am about two thirds of the way through the book, and though it may seem odd to write a review when I haven't yet reached the last page, I will justify myself with a few words from the author that I understood so perfectly, loved so immediately, and probably knew forever.
"It was delicious, this moment, a perfection. Going and not yet there."
I am not in a hurry to get there, to the last page. And in fact, now that I am in the part with a discussion on art, I want to take time to paint a few pictures.
"...to show what it's like to be alive, what it's like to really be here."
It is delicious, this moment, to not be in a hurry to get to an end, to make each page my own, as though it is a gift that Miranda Beverly-Whittemore has given to me personally.
The gift to go slow, to look around at everything and be reminded there is another story, endless stories, beyond what is written, and there is no hurry to get there. To have a book that is full of emotion and intellect is a treat. The Effects of Light is like being on a slow walk with the author, a walk you don't want to ever end. Full beyond what the pages contain. I will look forward to hopefully many books from Miranda Beverly-Whittemore.
"She loved the privacy of her new treasure..."
3 of 5 people found the following review helpful.
Rich and complex - a wonderful and compelling novel
By Connie K
Beverly-Whittemore has accomplished a great deal in her first novel. The story itself, of two young sisters who are photographed by an artist, is compelling, and the questions raised are complex and challenging. I found the discussions of the role of art in our culture fascinating and provocative, and the story was believable and intriguing. I was "rooting" for all the characters! This is the sort of book I can't put down, but whose questions and challenges stay with me!
7 of 7 people found the following review helpful.
Sometimes pretentious, always padded . . . but at times, beautiful
By Eggplant
I'll start with the good stuff: At times, in this novel, the author pulls off some achingly beautiful phrases, lines, and images. I appreciate that. I loved the short sections that were each titled "proof" and depicted various photographs of the girls. Those were beautiful, and created more substance for me than most of the rest of the novel did.
Now, while I think the author did a good job overall, there were times when the pretension just got to me. See: when Kate Scott and Samuel first start dating. See also: the number of times Myla waxes nostalgic about her father's "amazing mind." If I knew her family, including David's unbelievably mind-blowing mind, I'd probably think of them as that obnoxious family next door who are way too smug about their overeducated minds and brilliant academic careers.
This book was also padded, often with the very things one might see in the creative writing of college freshman. Myla's thoughts overstate things waaaay too much, when we could just as easily figure out what's going on in her head from the action and dialogue on the page. I usually read books very carefully, especially when they are well-written like this one, but I found myself skimming over some paragraphs and descriptions because they were just too much for me.
Finally, I don't really think the "mystery" surrounding the younger sister's death worked for me. Why is it kept a secret to the end? Myla knows how her sister died, so it would be natural for her to think about those details throughout the book. Instead, this information is concealed from us in a way that feels like a gimmick to get us to keep reading.
Good effort for this debut author, but I hope for her next book she is a little less focused on trying to sound smart and instead creates a better novel. Focus on those "proof" sections, Miranda. Your brilliance lies there, and in all you said just by describing those photos.
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