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Hollywood Crows: A Novel, by Joseph Wambaugh
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Seduction, black-market booze, burglary, and murder-not your ordinary fare for a division of peacekeeping officers, but Hollywood isn't your ordinary town. When a couple of LAPD cops find themselves caught up with a certain femme fatale, they're in for trouble. Meet Margot Aziz, the beautiful, soon-to-be-ex wife of Ali Aziz, proprietor of a Sunset Boulevard strip club. Ali has his diamond-studded fingers in multiple shady business deals-and he wants his lovely wife dead. Enter Hollywood Nate Weiss, a cop hungry for stardom and looking for love. Nate works alongside a squad of L.A.'s finest, including a duo of suntanned surfer cops, two tenacious women officers, and a wily veteran. As they all discover, Hollywood always deceives you, and love always comes packing heat.
- Sales Rank: #925802 in Books
- Brand: Grand Central Publishing
- Published on: 2008-10-01
- Original language: English
- Number of items: 1
- Dimensions: 6.88" h x 1.25" w x 4.25" l,
- Binding: Mass Market Paperback
- 431 pages
- Great product!
From Publishers Weekly
Gallows humor and the grim realities of street police work coexist uneasily in this less than stellar follow-up to Hollywood Station (2006) from MWA Grand Master Wambaugh. Nathan Weiss, known as Hollywood Nate for his acting ambitions, and his friend Bix Ramstead are now assigned to the LAPD's Community Relations Office, which handles quality-of-life issues and whose members are referred to as Crows. Weiss and Ramstead both become ensnared by a stunning femme fatale, Margot Aziz, who's in the middle of a contentious divorce. Aziz is trying to gain the upper hand over her husband, who operates a seedy nightclub but stays on the good side of law enforcement with well-timed donations to police charities. Aziz's scheming follows a fairly predictable path, and there's not much suspense about the outcome. Through the eyes of an eccentric collection of beat cops, Wambaugh gives a compelling picture of what policing is like under the federal monitor appointed to oversee the real LAPD after the Rampart corruption scandal, but characterizations are on the thin side and some readers may find the callous cruelty off-putting. (Mar. 25)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Wambaugh turns his Mars lights on perhaps the most unlikely of subjects: a Hollywood patrol division called CRO (Community Relations Office) made up of safe, contented, non-street-working cops who focus on quality-of-life issues. But, naturally, in Wambaugh’s telling, life in this coveted division—whose members are known as Crows—overruns with slapstick and social satire. The narrative veers between the Crows and the zany bunch of street cops at Hollywood Station (including surfer cops Flotsam and Jetsam) who contend with the inhabitants of what they call “America’s kook capital.” Bridging the gap between the real cops and the envied, despised Crows is street cop Hollywood Nate (so called because he is forever trying to break into the movie business), who gets an assignment to the Crows and finds himself in the throes of violent lust over Margot, a socialite separated from an edgy nightclub owner. Margot has plans for Nate and his partner, pulling them into a scheme so that she can walk away from her marriage and a perfect murder. We get this plot from Nate’s and Margot’s viewpoints. We also get classic Wambaugh cop stories, culled from actual cops, delivered in inimitable style. Wambaugh’s acid take on the post–Rodney King LAPD and the resultant consent decree and rule by bureaucrats is worth reading in itself. Another terrific Wambaugh ride-along. --Connie Fletcher
Review
"You won't want to put this one down, but you won't want to finish it too quickly, either. You will want to savor every beautifully choreographed scene and every hilarious exchange of dialogue. And you'll need a few moments to catch your breath between laughs. Joseph Wambaugh is a true master."―Peter Robinson, author of Friend of the Devil and Aftermath
Most helpful customer reviews
20 of 20 people found the following review helpful.
"We're Gravy, Bro"
By Gary Griffiths
If you didn't know it was Joseph Wambaugh, you'd swear that Carl Hiaasen took a vacation in LA, hung out with the LAPD, and wrote this cynically funny tale of cops and those they protect, and especially those who they are protected from. But Hiaasen could never tell a police story with Wambaugh's authority, and only an ex-cop could render it with Wambaugh's sincere passion for the men and women in blue.
Like it's predecessor, "Hollywood Station", "Crows" (short for LAPD's "Community Relations Office") is told through a series of Hill Street Blues-style vignettes loosely wrapped around a central plot. In this outing, The Leopard Lounge, a Sunset Boulevard strip joint, it's oily owner, Ali Aziz, and his impossibly gorgeous soon-to-be ex-wife Margot combine to form the story's deliciously sleazy and very Hiaasen-like core of deceit, blackmail, sex and murder. Ali's problem is that Margot has custody of his beloved five-year old son and half the family fortune, and he'd prefer to see Margot as not only an ex-wife, but also an ex-person. Not that Ali has any corner on the duplicity market: the scheming Margot plumbs new depths of greed and corruption in pursuit of her wanton desires. It is Wambaugh's knack for character development and an easy, natural dialog that takes "Crows" above the pack and again secures the author's well deserved accolades for capturing life-inside-the-precinct. Back from "Hollywood Station" are Flotsam and Jetsam, the surfing sleuths whose SoCal beach banter nearly requires a translator, and will find you chuckling out loud. "Hollywood" Nate Weiss is still flashing his SAG card and looking for the big break, and hottie cops Ronnie Sinclair and Cat Song are as beautiful - and untouchable - as ever - and a new, predictably insufferable and clueless precinct house sergeant to replace the legendary "Oracle" of "Hollywood Station."
But this is not all fun and games - Wambaugh's distaste for the bureaucracy of the post-Rodney King federal consent decree is palpable and justified, as the restrictions placed on the department create mountains of work but little additional protection for LA's citizenry. And while Wambaugh's dark and cynical humor dominates, the story takes an unexpected but well executed turn to poignancy by the end, proving that in LA there are few winners and even less redemption.
In summary, well-paced and brilliantly crafted - a novel that captures LA life on the streets, at the same time highly entertaining and deeply sobering. A highly recommended read.
31 of 35 people found the following review helpful.
Not quite as good as his previous "hollywood" novel...
By Jill Meyer
But still very enjoyable. The first reviewer of the book said Wambaugh was in "the declining years" of his work. Maybe that's true - we all grow old - but this novel, the second of the "Hollywood" series, is still better than many other crime novels by authors in fresh bloom.
I don't think Wambaugh's work can be compared to other crime novelists. His "procedurals" have scarcely any decernable plots - though this one has more than most - but are instead character studies of both the high and low forms of life in Los Angeles. Cops and criminals and everyone in between.
Wambaugh's work is not for everybody. It certainly would not appeal to the political correct among us. Maybe that's why I like his work so much.
12 of 12 people found the following review helpful.
A wonderful novel written by a thoughtful policeman
By Bookreporter
Lest readers think that Joseph Wambaugh has gone ornithologist on them, Hollywood Crows are not winged creatures flying through the fabled entertainment community of Los Angeles. Crows is an acronym for "community relations officers" of the Los Angeles Police Department, ombudsmen and liaisons in the community. Given its sordid history, no other law enforcement agency in America needs the efforts of this group more than the LAPD.
Wambaugh has chronicled the lives of police officers for the past four decades. His first book, THE NEW CENTURIONS, was both critically acclaimed and a bestseller. His early novels were published while he continued to serve as a Los Angeles police detective. The combination of successful author and working cop led to some unusual circumstances that one might expect in crazy California. "I would have guys in handcuffs asking me for autographs," he was said to have remarked.
The modern police officers portrayed skillfully in novels by authors such as Michael Connelly and George Pelecanos, and on the small screen in countless variations of "Law & Order" and in HBO's critically acclaimed "The Wire," can trace their beginnings back to Wambaugh. He was one of the first writers to recognize that police officers have personal lives and often face pressure similar to most middle-class Americans. But these difficulties are often exacerbated by the fact that they confront crime and danger on the job. Wambaugh's books humanize police officers and their work with humor and grace; his popularity has changed crime fiction and given it a legitimacy that it lacked previously.
HOLLYWOOD CROWS, Wambaugh's latest work of fiction, follows his traditional plot structure of introducing readers to both hard-working police officers who truly care about their job and unthinking bureaucratic officers who seem incapable of working intelligently or innovatively at any level. It is clear that Wambaugh longs for a different era in police life, when officers had more independence to perform their jobs. At the same time, however, he recognizes that many of the changes in police work are the result of lapses in judgment and professional malfeasance by police departments.
Of course Wambaugh's novels would be incomplete without the other side of the law enforcement equation: the law breaker. One of the genuine endearing qualities of his wrongdoers is that they are not evil, mean geniuses plotting to destroy mankind. Instead they are generally inept crooks who often end up caught because of their own stupidity rather than through expert police work. That is the way it generally happens in the real world --- most bad guys catch themselves. If they were smart, they would have jobs with major corporations where they could steal far more than they can on the street.
HOLLYWOOD CROWS introduces readers to surfer cops, appropriately nicknamed Flotsam and Jetsam, and to female officers Cat Song and Ronnie Sinclair. The obligatory hardened veteran officer, Bix Ramstead, represents the contrast between modern police officers and those who served in a different era, when police work was the job of white males. Throughout the novel, audiences are reminded of the difference between the modern police department and police work exemplified by Jack Webb in "Dragnet." As Wambaugh details the daily experiences of the contemporary officer, he lets readers decide if society has benefited from the modernization of its law enforcement community.
HOLLYWOOD CROWS reinforces a point that police officers in both fiction and real life know all too well --- domestic quarrels can be the most dangerous aspect of police work. The ongoing divorce of strip club operator Ali Aziz and his beautiful wife Margot will entrap and ensnare several in devious criminal activity. Many years ago a wise judge once told me that he preferred hearing criminal trials to divorce matters because "you meet a better class of people in criminal cases." That observation is reflected in the distasteful details of the domestic battle between Ali and Margot. The couple has gone to war over custody of their son, and both combatants will do just about anything to win that struggle. Margot will use beauty, sexuality and her ability to manipulate men, while Ali will turn to his many connections with the criminal element of Los Angeles.
While domestic strife is the major storyline in HOLLYWOOD CROWS, Wambaugh has numerous additional plot threads throughout the novel. Some center on the personal lives of the officers --- including that of Nathan "Hollywood Nate" Weiss --- and their interaction with a community that has come to Los Angeles from every corner of the world. Others view the ongoing struggle of many members of an urban society to simply exist in a frantic and often unsympathetic social atmosphere. How the new multicultural police force interacts with those citizens in disputes that run from minor quarrels to major crimes serves as a backdrop of the book.
Reading Joseph Wambaugh is a joy. His books are humorous, even down to the unique and whimsical names he employs. But beneath the surface is the unmistakable fact that the experienced police officer still has important insights and beliefs about law enforcement and how it can function more effectively in our society. HOLLYWOOD CROWS is a wonderful novel written by a thoughtful policeman who still cares about that trade as well as the writing profession, which has made him one of America's finest police novelists.
--- Reviewed by Stuart Shiffman
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