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Social worker Bo Bradley takes the case of a 15-year-old nearly catatonic with fear.
- Sales Rank: #4353210 in Books
- Published on: 1998-09-01
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .75" w x 4.50" l,
- Binding: Mass Market Paperback
- 320 pages
Amazon.com Review
Some of the surprise of having a heroine who keeps her manic depression under control with medication while working for a public agency that protects children has gone in this fifth book in the series, but Abigail Padgett's Bo Bradley is still an original and fascinating character. When a 15-year-old in foster care is found in a catatonic state at a vampire-themed teenage hangout, Bo breaks the rules to befriend the child and digs up a sordid saga of abuse that reaches into her own agency. Past Padgetts available in paperback include Child of Silence, Moonbird Boy, Strawgirl, and Turtle Baby.
From Publishers Weekly
Bo Bradley, 41, works for San Diego's Child Protective Services and suffers from a manic-depressive illness which she controls with medication. Bo's fifth appearance (following Moonbird Boy, 1996) is an uneven tale in which the investigator draws on her own experience, as she has in the previous entries in this generally commendable series, to establish rapport with others who are troubled. Here, she reaches out to 15-year-old Janny Malcolm, a child in foster care who is found in a catatonic state at a popular vampire-theme club. A battered antique doll is chained to Janny's wrist. Against all departmental rules, Bo befriends Janny and picks up a 13-year-long trail of child abuse, deceit and murder that may involve the Child Protective Services at the highest level. And when Bo discovers that her fusty and judgmental supervisor has secretly attended the closed funeral of Janny's identical twin (dead after 13 years in an assault-induced coma), her investigative instincts get into high hear. This story is rich in atmosphere, and Bo, with her heightened psychological insight and empathy, makes a compelling sleuth. But melodramatic plot twists and an excess of bizarre behavior explained in mini-avalanches of psychobabble interrupt the suspense and continually knock the narrative off its track. Author tour.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
A 15-year-old girl dies in San Diego, 13 years after receiving unexplained traumatic head injuries. The same night, her long-separated twin, raised in a succession of foster homes, goes catatonic at a club for new-world vampires. It takes more than a little doing, but series sleuth Bo Bradley (featured previously in Moonbird Boy, Mysterious, 1996) connects the two events, witnesses cover-up in Child Protective Services (where she works), and discovers a brother and doll-making father. Psychic dreams, Indian spirits, and Bradley's manic depression provide moody and suspenseful ambiance. Recommended.
Copyright 1997 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By sue wells
Another good read!
0 of 0 people found the following review helpful.
Dolls are easier to deal with than daughters
By Dr Jacques COULARDEAU
It is page turner, in a way, indeed. The main interest is that the author has had a long and direct experience of the type of people she is dealing with : the children and their parents that are taken care of by the Child Protective Services of San Diego, California. She takes us into a three generation situation that has led and leads to criminal activities, murders, multiple murders that are all committed within the family circle by one member of it. The elimination game that the murderer plays leads us to the murderer as the only survivor. But we have to understand how it happened and why it all took place. And that is the difficult part. To disentangle this situation the author explores all the actors around the case, all the CPS social workers, the police and the doctors and psychiatrists, the foster families and the service they depend on, etc. This leads to a characterization of these actors. The foster family in question lives on fear : the fear that the child may turn psychic and dangerous because they do not understand what is happening. So they try to protect themselves. The police, or rather one policeman, retired but still working in the shadow of the FBI, is obsessed by his own hypothesis and tries to run it to the end of the line where it does not stick anymore when his supposed murderer is assassinated in his turn. So he is obliged to revise his view and then jumps to the right solution, in time to save two CPS agents. The CPS supervisor had gotten entangled in the case through a short love affair with one of the protagonists thirteen years earlier. So she appears split between her administrative being that makes her protect herself even to the cost of having one victim punished if not destroyed, and yet, deep under, she is a very sensitive and caring woman. Her dilemma. The doctors and psychiatrists really try to help, and yet their opinion has no weight when an administrative service or a court is at stake. But the principal characteristic of the book is that the main character, Bo Bradley, is herself a manic depressive person who has difficulties establishing balanced relationships with others and to acceopt a shared love life. She is always trying to defend herself from other people, isolating herself in so doing, locking herself up onto herself and using medications to keep herself in line. You add to that two teenagers, one the main victim, and the other a could-be victim if she wasn't helped by an uncle, and you have the whole picture. Gothic in a quite new meaning : « What ends when the symbols shatter ? » The totally disillusioned ideology of a whole generation that witnesses the end of a social order and its beliefs and sees no new perspective. They become blasé, but they could easily get into drugs, violence, criminal activities or even state-sanctified warfare violence to retain some sense of providence or fate or historical justification. A disquieting thriller that forces us to question some fundamentals in our own vision of life and society.
Dr Jacques COULARDEAU
3 of 3 people found the following review helpful.
Laugh through the tears and fears
By ladyl
There are essential comic asides in this mystery that make it an excellent read in spite of the "Murder most foul" with which it deals. It is a tale reminiscent of the best British mystery novels. A child so traumatized as to be unable to speak only adds to the complication Bo Bradley, social worker, faces as she tries to force the impossible jumble of reality into some semblance of sense. I am admittedly a fan of Padgett's writing and hope to see more mysteries in this series. There have not been any new Bo Bradley books in years, but if you have not already discovered this author there is plenty of material for you to enjoy, including this, the 5th book in the Bo Bradley series. Padgett is now working on more esoteric mysteries, like BONE BLIND, that I also like. All of her work has one thing in common...a different way of viewing what we think we know about what "is." Oh, yes. She also writes in excellently picturesque prose.
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