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Lovedeath, by Dan Simmons
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In the tradition of Michele Slung's I Shudder at Your Touch, the ard-winning author of Children of the Night explores the fascinating relationship between eroticism and horror in an original collection of psycho-sexual themes, some touched by the supernatural.
- Sales Rank: #501139 in Books
- Published on: 1993-11-09
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.00" w x 6.25" l,
- Binding: Hardcover
- 310 pages
Amazon.com Review
The novella is an ideal length for dark fiction: short enough to sustain mood, long enough to develop interesting characters. This fine collection of five novellas shows off Simmons' range of styles: a literary tale of a man and his daughter on a scary mountainside; a Bram Stoker Award-winning horror tale about female vampires in Thailand; a semi-horrific Native American story about a young Sioux who undertakes various trials in order to become holy; a dark science fiction tale about a drug that has pernicious effects on society; and a harrowing, ambitious tale about the horrors of World War I.
From Library Journal
These five novellas mark the newest epiphany in a career that spans some dozen books, including Summer of Night ( LJ 1/91). In an unusually detailed introduction, Simmons observes that his work is almost obsessively concerned with the themes of love, death, and loss. The stories move confidently from the plea of an excessively cautious parent to a horrific drama of AIDS inflicted by a vengeful ex-G.I. A young brave's search for sexual adventure shapes a tale drawn from Native American tribal mythology, while a recreational drug that replays life in flashbacks forms the premise for a slight piece that juxtaposes a desperate fantasy with the Kennedy assassination. The final novella, an elaborate war saga, weaves the verse of Siegfried Sassoon and other real-life poets with the diary of a fictional soldier turned priest. Dipping in and out of the collection fosters better appreciation of the novellas' differences in tone, mood, and effect, but Simmons's scattershot technique guarantees at least one intense encounter for every reader.
- Barbara Conaty, Library of Congress
Copyright 1993 Reed Business Information, Inc.
From Booklist
This collection of Simmons' novellas demonstrates the full range of one of the most gifted writers in the psychological horror field. His themes touch on the private fears that can erode the lives of individuals, as well as the public engines of fear that numb the humanity of entire cultures. Both categories are intermingled in the keynote piece, "The Great Lover." This intimate re-creation of the experience of a poet-soldier in the trenches of World War I, done in the form of a diary, has all the visceral impact of the best memoirs. "Entropy's Bed at Midnight" contrasts impersonal actuarial tables with the personal tragedy of the loss of a child. Of the remaining three stories, "The Man Who Slept with Teeth Women" is the most unusual in the book. Told in the voice of a Native American storyteller, this right-of-passage yarn effectively blends humor, horror, and magic. It's hard to imagine people reading this book and not learning something about themselves, although it might not be something they want to know. Simmons is one of the few authors associated with genre fiction who commands significant respect among literati. His first novel, Songs of Kali, earned the World Fantasy Award in 1986, and he has picked up 16 other major honors since then. Elliott Swanson
Most helpful customer reviews
10 of 10 people found the following review helpful.
Great introduction
By Michael Battaglia
For those wanting to get into the fiction of Dan Simmons without running into the science fiction of Hyperion and the like, this is just about perfect for them. It hits all his other styles in one fell swoop, and at the same time gives them to you in small digestible doses, so if you don't like one, well there's four others to choose from. This is basically five novellas with the common theme of either love or death. Now, neither are very original themes for fiction (or anything) but the way Simmons tackles them makes them infinitely memorable. Most of this stuff is probably considered horror, though only story is truly creepy, that being the sublimely frightening "Dying in Bangkok" one of the few stories that gave me a sick feeling while reading it (though the fact I was barrelling down the highway in a car didn't help, I'm sure) and if you like horror, that one alone makes the book worthwhile. However there are others. You've got a fairly authentic Native American story, told by a slightly sardonic narrator that never ceases to fascinate. The lone science fiction story is fairly touching as it shows a world where everyone keeps reliving the past for lack of anything else to do (and some people live in the past's of others . . . go read the book to find out what I mean). This one actually benefits the most from the short format, since he gives enough detail about this world, but not so much that you're bored and it overwhelms the story. You want to know more, but you know enough to be entertained. There's a small story of a father and daughter that shows off his skill with words and makes some nice points about life and love and death and where they all fit together. The centerpiece of the novel is probably the WWI story, written as a diary of a man fighting in the trenches, interspersed with poetry from the front. Simmons obviously spent the most time on this one, it's the longest and best researched and the work shows. This one shines in its poignancy and humanity, there are touches of humor and horror and everything that makes a great story. So, chances are you're going to like at least two of these stories and you'll like them enough so that it'll make the book worthwhile. Simmons deserves to be explored in other areas other than science fiction and this is by far the best place to experience that. Without a doubt.
5 of 5 people found the following review helpful.
There is writing ...and then there is WRITING!
By James P. Lea
Wow- every time I even entertain the thought of becoming a writer I read Dan Simmons and realize I am not even CLOSE to being in his league. This is an incredible collection of novellas that will resonate within you long after you have finished reading them.
The first story "Entropy's Bed at Midnight" is a roller coaster ride in which the emotions of the protagonist ( a father and the feelings he has for his daughter) are projected onto the reader. Anyone who has been or is a parent will identify with this tale about love, loss, life and learning to let go and enjoy the ride.
The second is "Dying in Bangkok" is a slam-bang powerful tale of AIDS, casual sex, war, cultural differences and the lengths and depths a person will go to in order to achieve the ultimate revenge.
The third tale and in my opinion the weakest of the set is "Sleeping with Teeth Women". This is a raw-edged and perhaps overly angry reaction to the sugary Indian stories ala "Dances with Wolves." Although I understand his (over?) reaction to these stories and his wanting to portray his Native American ancestors in a more realistic light this story is perhaps a bit too much in the other direction. It is salvaged by a wonderful ending that wraps the tale up neatly.
The fourth tale "Flashback" is a cyberpunky tale that touches on realism with its portrayal of addicts who participate in flashback experiences and become more intertwined in their past to care about or shape their present.
The fifth tale and the showcase of the book is "The Great Lover", a visceral, gut-wrenching, incredibly well-researched tale that occurs during WWI. This story is like watching a particularly grotesque auto accident in that you can not tear yourself away from it and it will leave images in your mind that will haunt you long after you have finished reading it. Good writers can transport you to a different place. Dan Simmons will take you there, drop you head-first, immerse you, and blast you on spin cycle while he is at it. Incredibly powerful tales from a truly masterful writer.
5 of 6 people found the following review helpful.
Dan Simmons's best work
By A Customer
While Dan Simmons has produced some extraordinary books in the past few years, including the much acclaimed Hyperion and Children of the Night, this masterwork surpasses them all. Lovedeath is a one-volume illustration of the fact that Dan Simmons is one of the most talented writers of the generation, with a stunning ability that transends genre.
In the opening story, Entropy's Bed at Midnight, Simmons spins a suspensful, poetic tale that includes everything good about the way Stephen King writes internal dialog along with a dash of humor and a aura of quiet forboding. This is pure dramatic short story and compares well to any recent work of "serious" short fiction.
Dying in Bangkok, the next story, has a much different, darker tone. Here, Simmons takes a genre flooded with terrible writing, the erotic horror tale, and weaves a masterwork. Brilliant characterizations, a breathtaking description of a city lost in empty sensuality and sensationalism and a subtle blending of the supernatural carry the reader on a quest, deep into a dark, mysterious world.
His next tale would best be described as fantasy. It's an invented Native American legend, as told by an old tribal medicine man. Suffice it to say that I spent quite a while in the library trying to find out whether this story was Simmons's invention or the real thing. Once again, Simmons creates characters so human, the reader can't help but accept their world as real.
In the final story, The Great Lover, the theme of love, death and hope present in all four stories, takes clearer shape. Here Simmons writes what I believe is possibly one of the finest short story ever put to paper. On the surface, it's a touching story about the horors of war, but it's the subtle philosophy of hope that Simmons has been hinting at throughout the entire collection that really takes center stage here.
This collection is a sterling example the increadible talent that is Dan Simmons. The only question left is "is there anything he _can't_ do?"
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