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The Farm, by Tom Rob Smith
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The new international bestseller from the author of phenomenal Child 44 trilogy...
The Farm
If you refuse to believe me, I will no longer consider you my son.
Daniel believed that his parents were enjoying a peaceful retirement on a remote farm in Sweden. But with a single phone call, everything changes.
Your mother...she's not well, his father tells him. She's been imagining things - terrible, terrible things. She's had a psychotic breakdown, and been committed to a mental hospital.
Before Daniel can board a plane to Sweden, his mother calls: Everything that man has told you is a lie. I'm not mad... I need the police... Meet me at Heathrow.
Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother's unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a crime and a conspiracy that implicates his own father.
- Sales Rank: #414901 in Books
- Published on: 2014-06-03
- Released on: 2014-06-03
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.25" w x 6.50" l, 1.30 pounds
- Binding: Hardcover
- 368 pages
Amazon.com Review
An Amazon Best Book of the Month, June 2014: The Farm is the sum of its parts: a psychological thriller written with the intricate plotting and pacing of a spy novelist. Tom Rob Smith, best known for the Cold War-era series Child 44, steps out of his comfort zone to deliver a he-said she-said mystery that rivals the delicate balancing act of Gillian Flynn’s Gone Girl. Daniel visits his parents, only to discover that his mother and father no longer trust each other. In fact, something so sinister may be at play that his entire life could be a lie. You'll go back and forth between believing and doubting the mother’s conspiracies about a girl who goes missing in a small Swedish town. Smith cleverly places the burden of the narrative on Daniel’s interior dilemma--the guilt of choosing one parent over the other and his unwillingness to let go of the parents he once thought he understood. I won't give anything away, but the truth turns out to be both a satisfying resolution of plot and an emotionally crushing finale. --Kevin Nguyen
Review
"From the very first page, The Farm has all the trappings of a thriller with a deep, dark conspiracy at its heart, but Smith isn't content to stick to formulas. Through a first-person narrative that allows us to view this drama through Daniel's always engaging eyes, he weaves in and out of secrets and truths, sins and redemptions, crafting a thriller that weaves a satisfyingly juicy web of deception and is also an unpredictable page-turner. It's a rare thing to see an author so completely embody the trappings of his genre and also surprise the reader, but Smith achieves it with The Farm. Child 44 fans as well as those looking to get lost in an immersive thriller will find this a gripping read."―BookPage - One of the Ten Best Mysteries and Thrillers 2014
"[A] superior psychological thriller...Smith keeps the reader guessing up to the powerfully effective resolution that's refreshingly devoid of contrivances."―Publishers Weekly (Starred Review) - One of the Top Ten Thrillers of 2014
"This is easily the novel I talked about the most this year and most adamantly pressed into other people's hands. British author Tom Rob Smith is a thriller writer, but of the literary, fiercely smart variety...Smith spins a novel of doubt and secrets set in a bleak yet beautiful Swedish landscape."―Shannon Rhoades, Morning Edition - Selected as one of NPR's 2014 Great Reads
"Smith does an expert job of putting readers into the narrator's uncomfortable shoes."―New York Post
"Tom Rob Smith breathes new life into the landscape, transcending the traditional crime fiction genre with an intricately-knitted thriller steeped in mythology...[Smith] demonstrates the same craftsmanship that saw his highly-acclaimed novel Child 44 claim the Galaxy Book Award for Best New Writer and [be] long-listed for the Manbooker Prize, among its many plaudits. Meticulously weaving together literary themes of revenge and madness...this latest offering is a tapestry of fairytales old and new; so unsettling and oppressive that it blurs the distinctions between sanity and madness, reality and fantasy, leaving the reader guessing until the bitter end."―The Independent (UK)
"The Farm sustains its high dramatic pitch from London to Sweden and back through an immersive and tough-to-predict series of revelations about falsehoods and fantasies."―The Philadelphia Inquirer
"This is a neatly plotted book full of stories within stories, which gradually unravel to confound our expectations...Smith's twisting, turning novel shows that Scandi crime also retains the ability to surprise and thrill."―The Guardian (UK) - One of The Best Crime and Thrillers of 2014
"Tom Rob Smith's The Farm is an absorbing, unsettling, multilayered novel...The Farm is beautifully crafted, its effect enhanced by the author's admission that his own family faced a similar experience."―The Times (UK)
"'Impossible to put down' has become as overused a thing to say about books as the one saying that the people writing them should stick with what they know. In the case of The Farm, it is close to true (I read it in about three sittings and real life felt like an impertinent interruption whenever I had to put it down). Child 44 was one of those rare books that managed to thrill both the Booker judges and the Richard and Judy brigade. The Farm is, perhaps, even better. It is so good, in fact, that you will finish it quickly and then be jealous of anyone who hasn't read it yet."―The Independent (UK)
"A cast-iron premise and a breathtaking opening... Smith has constructed a canny and enthralling story, one that veers off in unexpected ways to complicate and deepen his carefully timed plot. Throughout, he keeps us off-kilter at every turn."―The Seattle Times
"Perhaps his best novel yet...Scarily claustrophobic . . . genuinely, lingeringly frightening."―The Guardian - Best Thrillers of 2014
"Is there anything more innerving than the realization that you can't trust your own mother? Maybe the realization that you can't trust your father either. That's the killer premise of The Farm."―New York Times Book Review
"Gripping, atmospheric...This absorbing novel thrives on gradually revealing the intimate details of lives, showing how they become hidden not only from strangers, but from those closest to them. The relationship between parents and children is excellently explored as the author traces the toxic effect of lies and reveals some shocking home truths."―The Observer (UK)
"Chilling, hypnotic and thoroughly compelling. You will not read a better thriller this year."―Mark Billingham, international bestselling author of The Dying Hours
"On rare occasions, an author pulls off the high-wire act of writing a crime-oriented novel that easily transcends the genre. The Farm is one of these...[Smith's] skills are as finely honed as ever, with this tale that's both a page turner and a searing examination of the lives of our protagonist, his lover and his family. Structurally innovative and stylistically resonant, The Farm is a remarkable achievement."―Jeffery Deaver, bestselling author of The Kill Room
"I read this book in two greedy sittings, absolutely and joyfully clueless as to where it was leading. Tom Rob Smith has created a truly original and chilling thriller, which makes you ask yourself 'who would I believe'?"―Jojo Moyes, New York Times bestselling author of Me Before You
About the Author
International #1 bestselling author Tom Rob Smith graduated from Cambridge University in 2001 and lives in London. His novels in the Child 44 trilogy were New York Times bestsellers and international publishing sensations. Among its many honors, Child 44 won the ITW 2009 Thriller Award for Best First Novel, The Strand Magazine 2008 Critics Award for Best First Novel, the CWA Ian Fleming Steel Dagger Award, and was longlisted for the Man Booker Prize.
Most helpful customer reviews
36 of 38 people found the following review helpful.
Interesting tale of secrets and lies
By Kyle Warner
The Farm is interesting but it's not always enjoyable. It's bold but it's not always successful. At the best of times it's like putting together a puzzle with the knowledge that a few important pieces are missing. At the worst of times it's like being stuck in a locked room with a half-crazed person whose irrational ramblings go on and on and on. . .
Young man Daniel has distanced himself from his parents. He doesn't know that they've fallen on hard times financially. They don't know that he's gay. One day, his father phones him, telling Daniel that his mother Tilde has suffered a mental breakdown. Tilde is not well but she convinced the doctors to set her free. Daniel's dad is worried sick. Not long after this phone call, Daniel's mom calls, tells her son that she needs to meet him. They meet. She's paranoid and unwell. She tells of a conspiracy in her neighborhood town, which involves a missing person, a questionable suicide, possible child abuse, and a desperate attempt to cover-up the truth. She says that Daniel's father is in on it. They want to lock Tilde away and label her a crazy person and her investigation as pure fantasy.
Daniel spends much of the book acting as the reader's POV, learning the story as we learn it, asking the questions we want to ask. Most of the book is Tilde’s long-winded narrative of what happened around her farm and the conspiracies. Daniel, like us, is forced to listen. Whenever Daniel or the reader happens upon a logical thought of something like, 'Yeah, but, what does this all mean?' Tilde always ignores the question, adamant that the story unfold in a linear fashion, for the sake of 'context.'
But this is frustrating and it goes on too long. There's little suspense in her story. Just questions. Lots and lots of questions.
The greatest question is whether or not we can take anything the storyteller is saying seriously. Tilde is irrational. She jumps to conclusions, she sees everyone as a potential threat, and accepts no gray areas in her relationships. You are either with Tilde or you're against her. What's interesting, then, is how we as the reader want to be on her side – she is a good person and she means to fight the good fight – but not all of her story makes sense and so we and Daniel inevitably find ourselves questioning her sanity and her story.
Whatever holdups I have about the book, The Farm is really something of a page-turner. It sets up a mystery, one with compelling characters and dark implications, and I found myself in a rush to find out what it all meant. In the end, I was pleased with the answers and the way the pieces of the puzzle fit together.
I’d give it 3.5 stars out of 5.
(I received this book from NetGalley in exchange for an honest review. Many thanks to the publishers and the NetGalley service)
26 of 28 people found the following review helpful.
This is an emotionally powerful book from an author who, with each new work, demonstrates that he is a major literary talent.
By Bookreporter
What a subtle yet wild ride THE FARM is. The first step of the journey is to disabuse oneself of any preconceived notion that it is anything similar to Tom Rob Smith’s award-winning CHILD 44 historical thriller trilogy. The only similarity is the pristine quality of both works. Smith’s latest is set in England and Sweden, very much in the here and now. It is based on a personal and painful experience of Smith’s; indeed, the emotion shines through page by page, paragraph by paragraph, as the first-person narration brings the reader into a situation where perception and reality collide on several levels.
Smith tells us much within the space of a few opening pages, setting things up for the ever-broadening expanse of what is to follow. The story is told initially through the voice of Daniel, who lives in London with his significant other. His parents, Chris and Tilde, have been retired from England and residing in apparent rural bliss on a farm they have purchased in Sweden, Tilde’s country of birth. Daniel imagines them as happy and content as they apparently were when they were living in England. That illusion is shattered when Daniel receives a frantic and very unexpected call from his father, advising him that his mother is, as they say, “not well.” Specifically, Tilde has had a psychotic episode and has been hospitalized. Daniel, for reasons of his own, has never visited his parents in Sweden, but makes haste to do so upon hearing this news. On his way to the airport, though, he receives a call from his mother advising him that she has left the hospital and is flying to London to see him. Tilde presents herself in due course; she is not quite herself but not so much so that a stranger could tell.
What follows for a great deal of the remainder of the book is a dialogue between Tilde and Daniel during which she tells him what has occurred since she and Chris relocated to Sweden, and a bit of the situation that occasioned the move. Tilde’s story is a fascinating one. Despite being Swedish by birth, she is treated like an outsider by their neighbors, most particularly Håkan Greggson, a rich landowner who quietly but effectively rules their local patch with a manipulative cheerfulness and who seems bent on purchasing Tilde and Chris’s newly acquired farm from them for reasons of his own. Tilde recounts several episodes when Greggson skillfully engineered subtle humiliations of her. Chris, however, has seemed all too willing to establish a friendly relationship with him, notwithstanding Tilde’s reservations.
All of this might simply be passed off as Tilde’s misinterpretations of an offhand or perhaps unintended slight. As she gets deeper into her story, however, she accuses the locals --- and her husband --- of engaging in a terrible crime and a conspiracy of silence, the result of which was to have her hospitalized in order to silence her. The problem from Daniel’s standpoint is that Tilde’s account does not seem so far-fetched as to be the result of psychosis, yet does not ring entirely true. While resisting the conclusion that his father might be capable of the actions of which he is accused by his mother, Daniel must decide if his mother is an outright liar, delusional, or telling the truth...or some combination of the three. There are consequences that go with any of the choices, and none of them are good.
To some degree, THE FARM put me in the mind of Dennis Lehane's SHUTTER ISLAND, though topically and stylistically they are very different books. While Lehane’s ending was a sledgehammer across the face in a dark room, THE FARM is a narrative in which one feels the floor giving way by degrees while being distracted by other, more immediate events. Those of us of a certain age who have watched and listened as elderly relatives slip gently and otherwise into shadow will find the dialogue as painful to read as it undoubtedly was for Smith to write it. This is an emotionally powerful book from an author who, with each new work, demonstrates that he is a major literary talent.
Reviewed by Joe Hartlaub.
26 of 30 people found the following review helpful.
The Farm
By S Riaz
Daniel lives in London with his partner, Mark. His parents, Chris and Tilde, have retired to a remote farm in Sweden – the homeland his mother left many years before. He believes them to be content and well and uses his image of them as happy and busy in their new life as the reason why he has distanced himself from them. For Daniel has made excuses not to visit – rather than explain that his career is not going well or introduce Mark to them, he has contented himself with emails and vague promises. However, one day he receives a frantic phone call from his father to say that his mother is not well. As he rushes to the airport, his mother contacts him to say she is arriving in London.
What follows is a compelling tale, as his mother claims that her husband, and other men in the community where they live, are involved in a terrible crime – while Daniel’s father insists that his mother is imagining the events. Most of this novel consists of Tilde and Daniel alone, as Tilde reveals what has happened since she moved to Sweden. Both Daniel and his parents have secrets and Daniel is bewildered by accounts of events in which he recognises neither his mother or father. We hear of the couple’s nearest neighbour, Hakan Greggson, his wife and adopted daughter. Of Tilde’s hidden childhood, rumours and accusations. Yet, is Daniel’s mother a liar, a fantasist or a victim of a conspiracy?
Although much of this book reads like a play, with Tilde recounting events, it is not at all slow moving. Rather you are always kept slightly unsure; discovering things alongside Daniel as he attempts to uncover the truth. Daniel is a likeable character, aware of his faults and unwilling to give up on his mother. This is a really interesting and original novel and I could not wait to read on and find out what happened.
I received a copy of this book from the publisher, via NetGalley, for review.
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